Lunchmeat Underpants
New Stuff and Inspiration
Bacon frosting
Tired of baking with real bacon? Well, you’re in luck. You can now use Bacon Frosting.
Western Union billboards
Dubstep dispute
“Dubstep Dispute” by Longmont, Colorado based Jason Giles, was primarily created using Luxology’s 3d solution, modo. This included modeling, surfacing, rigging, animation, rendering, and effects such as physics and volumetric lighting. Rigging the characters and environment was not overly complex but there was a fair amount of channel linking to keep all of the lights, material luminence and robot animations in sync with the music track.”
He’s also a good guy to drink a moscow mule with, fyi.
The Goodwill effect
Photography by the one and only Richard Feldman.
Grab health by the nuts
Oragami shadow art
Miller Boom Box
Meat without drugs.
Big ups to Chipotle for having this on their Youtube page. The concept of removing antibiotics from meat is something we at Sukle support whole-heartedly, and we love to see it manifesting itself into really neat animated videos.
Cool animation about overfishing
This was done, apparently, in Cinema 4D and we think the art direction is really nice. And it’s got a great message.
From the vimeo page:
Despite an increased awareness of overfishing, the majority of people still know very little about the scale of the destruction being wrought on the oceans. This film presents an unquestionable case for why overfishing needs to end and shows that there is still an opportunity for change. Through reform of the EU‘s Common Fisheries Policy, fisheries ministers and members of the European Parliament can end overfishing. But only if you pressure them.
A Simple Request.
With a dry winter and snowpack levels below normal, we wanted to ask Denver Water customers to not only “Use Only What You Need,” but use less. And the the place to use less is on your lawn. Outdoor water use amounts to nearly one-half of a household’s annual water usage so that’s what we targeted. And in classic Denver Water fashion we made the visual and message as simple as possible.
For the props we had miniatures made that the hand models could hold. A special thanks to photographer
Jamie Kripke for his skills (and prop building connections) that made it all happen.
Photography: Jamie Kripke
Props: figureplant
Retouching: Matt Carpenter